Sylvain Poitras

This EP is an exploration of the poems of Paul Laurence Dunbar. Tracks are inspired by his poems: Longing, An Old Memory and Life.

whisper mysterious life on Bandcamp

A collection of trombone solo's. Nineteen of the most innovating, experimenting, cutting edge and contemporary but also traditionalistic and classical trombonists of the world. For some this the first solo recording out there, for others a new one in a long line.

In the words of Philip Corner:

So-many trombones in-the-world! They made-me learn-it in HighSchool i wanted the fremchhorn but they needed long-arms. As fate woud hav-it, a blessing. (Howmany newmusic horn players do-yu-know?) But o the trombonists! I knew ther wer a-lot but i did not know them, all-ov-them. Now i know-more. Manymore. And i am there---here!--- among many of my good-old-frends "bonys". And since i do-not hav any mor old recordings--- Hilary and Jim hav used-up all my music and i am not playing anymore I write a new score for my new-frend Rutger, and he iz playing.it. (ths iz goood) -----

Trombilation on Bandcamp

All sounds recorded live in Paris and Cologne (July 2013).

The meta-trombone is a performance system designed for solo trombonist implemented in custom and off-the-shelf software and hardware that can analyse the musical performance to extract relevant data. At the performer's choice, the musical note can be musical material as usual or become control signals to manipulate live recordings of the performance. The trombonist's gestures not only produce the expected sounds, but also trigger algorithms that modify those sounds to allow new possibilities on the instrument while retaining the same "interface". Since 2012, the meta-trombone has been presented at festivals and concert series in San Jose, Santa Cruz, Toronto, New York City, Paris, Cologne, Ottawa and Providence.

Meta-trombone vol. 2 on Bandcamp

Sylvain Poitras contributed the track Friends (old and new) to this recent release from the Chain-Tape Collective.

Where we're at 2017 on the CT Collective website

Sylvain Poitras contributed the track Ruined Gong to Matt Davignon's anniversary remix album celebrating 10 years of his unique approach to drum machines.

...is sticks and rocks (Remixes) on Bandcamp

This album was produced by a collective of artists, wanting to mark the last consecutive day in our lifetimes 12.12.12. So, on this day or around this day we came up with a piece, a lot of them 12 minutes long, with the theme 12.

Looper's Delight 12-12-12 Project on Bandcamp

All tracks recorded live in San Jose and Santa Cruz during the Y2KX+2 Livelooping festival in 2012. Sylvain Poitras play trombone and algorithms on this live recording.

Sylvain Poitras wishes to thank the Conseil des arts et des lettres du Québec for its financial support of his travel to California.

Meta-trombone Vol. 1 on Bandcamp

Sylvain Poitras contributed two tracks to this Chain Tape Collective project: the longing for repetition and twice through the looking glass.

His composition Twice through the looking glass was subsequently selected to be part of the 2012 60x60 Canadian Mix and was heard in concerts in St-John's, Montreal, Toronto and Vancouver.

CT-One Minute on CT Collective

A collection of experimental electronic music and recent explorations.

sans jamais ni demain on Bandcamp

This album represents a selection of songs recorded from June 2007 to March 2008. The aesthetic imperatives that unite them were: simplicity of theme and execution, bare-bones instrumentation and a significant debt to Tom Waits and the cookie monster.

Sylvain Poitras plays trombone, plastic containers, frying pans, marimbas, trumpet, melodica, jug, kazoo and attemps to sing like the cookie monster on this album.

cartoonified musician on Bandcamp

Sylvain contributed two pages to this collection of cutting edge graphic narratives and academic discussion on comics published by Éditions Trip.

Trip 8

Blog post about Sylvain's contribution to the book

Sylvain contributed two stories (10 pages) to this collection of cutting edge graphic narratives published by Éditions Trip.

Making of blog for Les fumettos du cyclope

Blog post about Sylvain's contribution to the book

A VST plugin inspired by Moog's MF-102 Ring Modulator.
Windows (32bit) | OS X (32/64bit)

The source code is available on GitHub.

MIDI Looper is an application that I built to fill a very specific need in my rig: loop midi notes. It offers four tracks (loops) and can be controlled by sending MIDI notes.

This app was created by Sylvain Poitras in Cycling 74's MAX using the rcoll abstraction created by Chris Muir. MIDI Looper is based on his collseq example patch.

With OSCNotation, live-coders and computer musicians can integrate instrumentalist into their performance by sending OSC messages to display musical notation on their collaborators' iPhones or iPods. Rhythm and note values are updated independently, so they may easily transpose a pattern while keeping the rhythm intact (or vice-versa).

Hear OSCNotation in a concert featuring Dan Tepfer and Lee Konitz

OSCNotation is no longer available from the Apple App Store, however its source code can be shared upon request until a public repository is created.

Play a game while making music! Every game event, such as the ball hitting the walls, the bricks or the paddle, can be configured to send OSC messages of your choosing over WIFI. Create your own levels with our level designer. Determine level sequence and number of balls.

BreakOSC! is no longer available from the Apple App Store, however its source code can be shared upon request until a public repository is created.

More details on the hardware implementation can be found in this blog post.

A few years ago, I made a guitar pedal to emulate the sustain substitute function from the Echoplex Digital Pro. Should you need a demonstration of this and other EDP functions, Andre Lafosse has been documenting the EDP through excellent and in-depth videos on his YouTube channel.

My susSub pedal implements sustain substitute with the Pigtronix Infinity looper. While it could, in principle, work with other loopers that allow you to change the loop feedback level while overdubbing, much here depends on the particularities of the looper's implementation.

More details on the hardware implementation can be found in this blog post.

The Patterner is a modulation generator that is meant to replace an expression pedal for use with guitar pedals that have an expression input.

Instead of the single potentiometer present on a regular expression pedal, the Patterner has four slide potentiometers labelled 00, 01, 10 and 11. The two digit numeric code corresponds to the state (off=0, on=1) of the two left-most buttons (orange and purple). Pressing the buttons select which potentiometer modulates the guitar pedal connected to the Patterner's TRS output.

HHL-Patterner code and schematics are on Github

At its core, the abattoir is a vactrol based VCA with an attack and release envelope generator. In addition to the Attack and Release controls that set the envelope, there's also a Mod control that affects both parameters at once.

The abattoir also allows the recording and playback of trigger sequences played on the purple button. This is the mechanically perfect repetitive killing action that gives the abattoir its name.

HHL-Abattoir code and schematics are on Github

The meta-trombone is a performance system designed for solo trombonist implemented in custom and off-the-shelf software and hardware that can analyse the musical performance to extract relevant data. At the performer choice, the musical note can be musical material as usual or become control signals to manipulate live recordings of the performance.

The trombonist's gestures not only produce the expected sounds, but also executes algorithms that modify those sounds to allow new possibilities on the instrument while retaining the same "interface". Since late 2012, the meta-trombone has been presented at festivals and concert series in San Jose, Santa Cruz, Toronto, New York City, Paris, and Cologne.

Read about the development of the meta-trombone in these blog posts.

Listen to recordings from live concerts on Bandcamp

Watch videos from live concerts in Paris, Cologne and Providence on YouTube.

Lately, I've been obsessed with the Commodore 64. It all started when I read a fantastic little book that discussed a one line program from a variety of different angles. After spending a couple hours with emulators running on my MacBook, I wanted to get my hands on the real thing.

My first computer was a Commodore 64. I remember vividly the happiness I felt that night in December when my father came home with all those boxes. This is probably the greatest gift I ever received from anyone. Not only was the Commodore 64 a fun game system, it was my first introduction to computer programming.

Read about the Commodore 64 project in this blog post.

Listen to some early musical sketches on Soundcloud.

Access my code for the Commodore 64 on GitHub.

This LP project will explore some ideas developped as constributions to the weekly Disquiet Junto call for works.

Captain Dada is a comic book about the very nature of reality and the relation between language and the world. The premise is that of a world in which the traditional mind-body dualism inherited from Descartes is not solved by collapsing the mind to the physical, but rather by explaining physical reality in terms of the mental. This ontological framework explains all magic: that words alone can alter reality.

The story begins in space with an astronaut adrift and tumbling towards the Earth. With nothing physical to help him out of his situation, the astronaut reshapes his reality by thinking thoughts best left unthought.

On Earth, Captain Dada is able to harness the powers of language in untold ways. Since he says things that people would never say, he can do things they could never do. Will he be able to mend the ontological rift created by the unwary astronaut's dangerous thoughts?

The idea of delving into my philosophy training to create a short anthology of philosophical graphic narratives originates with my two contributions to Les fumettos du cyclope